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    • maps in films
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    • l'Escalographe
    • the BlowUp moment
  • how to map a film
    • the first maps >
      • Some Maps in Gance's Napoléon
  • Paris
    • 1890s-1909 >
      • firemen in Paris, 1896
      • La Villette c.1896-97
      • Hatot-Breteau 1897
      • Place de l'Opéra
      • Paris 1900
      • French Cancan >
        • the real Paquerette >
          • Paquerettes
      • Alice Guy - Paris locations >
        • Alice Guy in the brothel ...
      • a dangerous street corner
      • Capellani in Paris
      • La Fille du faux-monnayeur
    • 1910-1929 >
      • a gateway out of Paris c.1910
      • L'Enfant de Paris (narrative of an identification)
      • Fantomas Over Paris: episode 1 >
        • Fantomas Over Paris: episode 2 >
          • Fantomas Over Paris: episode 3 >
            • Fantomas Over Paris: episode 4 >
              • Fantomas Over Belgium
      • One Place, Three Films: Fantomas and the French New Wave
      • a staircase in Belleville
      • Vampires Over Paris >
        • Les Vampires 1
        • Les Vampires 2
        • Les Vampires 3
        • Les Vampires 4
        • Les Vampires 5
        • Les Vampires 6
        • Les Vampires, 7
        • Les Vampires 8
        • Les Vampires 9
        • Les Vampires 10
      • Irma Vep posts a letter
      • Inside-Outside: space and light in Judex
      • L'Affaire Barsac
      • neon Paris c.1913
      • electric nights in Paris (and Berlin)
    • 1930-1959 >
      • Quai des Orfèvres
      • Olivia - Audry - 1951
      • Paris Noir: Becker, Dassin, Melville
      • the persistence of graffiti: Paris c.1952
      • Du rififi chez les hommes - reading topotropically >
        • Du rififi chez les hommes - locations identified
      • Het Parijs van Le Ballon rouge
    • the New Wave and after >
      • New Wave places >
        • New Wave Paris >
          • New Wave Newness: architecture in Paris
          • Eric Rohmer in the rue de la Huchette, c.1956
          • Les 400 coups: Paris locations >
            • Baisers volés
          • 'New York Herald Tribune' - Parrish and Godard on the rue de Berri >
            • A bout de souffle (narrative of an identification)
          • the Grisbi connection: Chabrol and Becker
          • Les Bonnes Femmes: sequence by sequence
          • Une femme est une femme: the places documented
          • the boulevard des Italiens
          • Jules et Jim: Paris configured
          • the place of cinema: cinema as location in Vivre sa vie
          • Godard and Melville: the view from the rue Jenner >
            • Melville: more views from the rue Jenner
          • the New Wave in Pigalle c.1963
          • La Peau douce - displaced places
          • Le Bonheur 1965
          • Paris vu par
          • Masculin Féminin
          • The Topography of La Guerre est finie
        • France
      • Le Samourai: places and maps >
        • Un flic: art and artifice
      • Bresson in Paris - Pickpocket
      • Bresson 69-71
      • Every Revolution
      • statues in Godard and Duras
      • Holy Motors >
        • Holy Motors - notes
    • banlieues >
      • Le Canal de Ourcq
      • Ville d'Avray en 1903
      • Three filmmakers in Romainville
      • filmmaking in the Fontainebleau forest
      • Feuillade's lonely villas
      • anarchists in the suburbs c.1912
      • One Church Two Cemeteries: Clouzot and Chabrol at Montfort L'Amaury
      • Feuilladian Franju - Les Yeux sans visage
      • country houses and suburban villas
      • banlieue locations in L'Amour existe
      • the Landru Villa
      • 1 place 2 filmmakers: Rivette & Chabrol in Ermenonville
      • Céline et Julie: what's the address of that house?
      • cinemas in La Petite Voleuse
    • The Stairs: Paris
  • London
    • 1890s-1920s >
      • Lumiere London >
        • Lumière London, bis
      • Robert Paul in London: tour guide and film maker
      • Ultus in Isleworth
      • Cocaine 1922
      • Fu Manchu 1923
    • London Locations >
      • Piccadilly Circus >
        • Piccadilly Circus in films
        • Piccadilly Circus in art
        • Piccadilly Circus in postcards
        • Piccadilly Circus photographed
        • Piccadilly Circus: invisible things
      • Muswell Hill
      • the Arsenal Stadium mysteries
      • Brentford streets on screen
    • the locality of London studios >
      • Early Ealing
      • straight out of Whetstone
      • Walthamstow's studios
    • Sherlock Holmes >
      • some Baker Street irregularities
      • an American Sherlock in London
    • Sojourners + Cosmopolitans >
      • London in French Film >
        • Rififi in London
        • London in London River
      • maps in krimis
      • Kriminal (1966)
      • Kaurismaki's London c. 1989
    • places in Face
  • Geneva
    • Swiss New Wave - shared-world practice
    • Geneva in Swiss New Wave films >
      • SNW Geneva: collective housing
      • SNW Geneva: villas
      • SNW Geneva: bowlings + piscines
    • The Chronology of Le Petit Soldat
    • La Lune avec les dents (Michel Soutter 1966)
    • L'Inconnu de Shandigor (J.-L. Roy 1967)
  • signage, etc.
  • studios, etc.
    • Eclair
    • Eclipse
    • Gaumont >
      • Cité Elgé locations
    • Lumière
    • Lux
    • Pathé >
      • Where's Max >
        • when Harry met Max, and where
        • Max takes the train
      • Bébé victime d'une erreur...
      • Montreuil in Pathe films
      • Pathé police stations
      • Pathé filmmaking in Nice c. 1908
    • studios & the local >
      • Ealing >
        • Kind Hearts and Coronets: suburbia and other places
        • the view from Ealing
  • my local filmmaker
    • The Unfortunate Policeman >
      • Buy Your Own Cherries >
        • The Medium Exposed >
          • The ? Motorist >
            • The Fatal Hand >
              • A Little Bit of Cloth
              • Blind Man's Bluff >
                • Bill Sikes Up-To-Date
    • Walter Booth in Muswell Hill
  • my local cinemas
  • favourites
    • Agnès Varda >
      • Cleo 5-7 - Time
      • Sans toit ni loi >
        • Sans toit ni loi - the 12 tracking shots
        • Mona's postcard collection
    • Alice Guy >
      • Alice Guy + JLG
    • Chris Marker
    • Jacques Rivette >
      • a map of Out 1
      • Le Pont du Nord: locations identified >
        • topographical telescoping in Le Pont du Nord
        • Le Pont du Nord (narrative of an identification)
    • J.-L. Godard >
      • Godardiana
      • A bout de souffle: footnotes to the film >
        • A bout de souffle - the cast list
        • A bout de souffle in colour
      • photographs in Le Petit Soldat
      • Bande à part
      • Paintings in Pierrot le fou
      • sculptures in Made in USA
      • Les Fins de Godard
      • Week End - time, place and cars
      • Bukowski in Sauve qui peut (la vie)
      • Life magazine + Hdc
    • J.-P. Melville
    • Louis Feuillade
    • Max Linder
    • Robert Paul
  • cine-tourists
    • a German tourist in Paris: Le Silence de la mer
    • an American tourist in Paris
    • History Lessons in Rome
  • Nouvelle Vague
    • New Wave Christmas
    • the New Wave and modern art >
      • New Wave Braque
      • New Wave Chagall
      • New Wave Klee
      • New Wave Manet
      • New Wave Miro
      • New Wave Modigliani
      • New Wave Picasso
      • Pierre Alechinsky in Le Joli Mai (1963)
    • New Wave cameos
    • Attal et Zardi
    • Le Signe du Lion: six small things
    • New Wave films in New Wave films
    • Cahiers du Cinéma on screen
  • other things
    • assorted stamps
    • Maps in Books
    • the topographies of La Fille aux yeux d'or
    • place-time in Thérèse Raquin
    • photography >
      • 10 photographs by Brassaï in 3 Paris dancehalls >
        • painters in the rue Blomet
      • Gisèle Freund in Paris >
        • Gisèle Freund in Histoire(s) du cinéma
      • Godard's Histoire(s): photographs of women
      • the photographer as photographer: André Dino with Tati, Truffaut and Chabrol
      • some Simenon book covers
      • films playing at the Moulin Rouge
    • building sites >
      • a building site and some buildings, c.1961 >
        • Jean Ginsberg
      • 93 - Seine Saint Denis: HLM, cités, grands ensembles >
        • 93 - Seine Saint Denis: Aubervilliers to Bondy
        • 93 - Seine Saint Denis: Drancy to l'île Saint Denis
        • 93 - Seine Saint Denis: La Courneuve to Saint Ouen
        • 93 - Seine Saint Denis: Sevran to Villepinte
      • Chateau Gaillard
      • Euston Station
    • investigations >
      • A Remarkable Journey in Zigoto's New Motor-Car - 1912
      • the Hotel Bristol enigma
    • news >
      • French news
      • news from England
      • news from the U.S.
    • a picture of great significance
    • A Girl and a Gun >
      • Griffith, Shadowland, May 1922
  • efc - places
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    • envelopes and postcards
    • telegrams
  • family, locality
    • a Succession of Edwards
    • Henri Grieshaber - architecte chaudefonnier
  • about this site
  • Publications
The Cine-Tourist

671/ L'Homme du Niger (Jacques de Baroncelli 1940)

26/2/2016

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571/ Segu janjo [La Geste de Ségou] (Mambaye Coulibaly 1989)

11/4/2015

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393/ 56 rue Pigalle (Willy Rozier 1949)

26/12/2012

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The best thing in an otherwise ordinary film is this simple one-shot device for showing a plane journey from Paris to an outpost in Mali.

The other maps in the film are far less interesting:
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133/ Finye [The Wind] (Souleymane Cissé 1982)

18/8/2011

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There are two map rooms in Finye. The first, where the student protesters are printing clandestine tracts, has a world map, a map of Europe and another too indistinct to be made out. The world map is the dominant, signifying the students' openness to the world beyond Mali, and  framed from different angles to emphasise the variety of perspectives that such openness entails. 
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The second, the military governor's office, is dominated by a map of Mali, represented as isolated not only from the world but even from its immediate neighbours, removed from its African context. Within its borders, the country has rivers, a lake, varied terrain and differentiated regions, but beyond its borders there is nothing:
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132/ Le Clan (Gaël Morel 2004): maps on tv

17/8/2011

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Le Clan (Gaël Morel 2004): Lac de Genève & Haute Savoie
Maps often appear in television weather reports or news broadcasts, as background (as above) or foregrounded as a motif (as below): 
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Where the Heart Is (Matt Williams 2000): United States - Texas, Oklahoma, Kansas
Here are eight further instances of maps on tv screens in films:
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In Cold Blood (Richard Brooks 1966)
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The Man Who Fell To Earth (Nicolas Roeg 1976): United States
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Bamako (Abderrahmane Sissako 2006): Mali
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Love & Human Remains (Denys Arcand 1993): Canada
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Caché (Michael Haneke 2005): Africa & the Americas
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La Cérémonie (Claude Chabrol 1995): Europe
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Pola X (Leos Carax 1999): France
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Jonas qui aura 25 ans en l'an 2000 (Alain Tanner 1976): Switzerland
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75/ Soleil ô (Med Hondo 1969)

21/6/2011

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Hondo's cinemap is a response to and critique of the graphic representations  that typically introduced European ethnographic films on African cultures (see examples below). 
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Les Magiciens du Wanzerbe (Jean Rouch 1947)
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Initiation à la danse des possédés (Jean Rouch 1948)
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La Circoncision (Jean Rouch 1948)
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Les Maîtres du Congo (Henry Brandt & Heinz Sielmann 1959)
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Maîtres du Congo (Henry Brandt & Heinz Sielmann 1959)
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Sur les traces du renard pale (Recherches en pays Dogon, 1931-1983) (Luc de Heusch 1984)
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30/ Bamako (Abdherramane Sissako 2006): Mali

7/5/2011

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'Many contemporary filmmakers use techniques of prettiness to access the politics of world. Abdherramane Sissako, for instance, presents in Bamako (2006) a richly textured map of global economics within the visual and auditory space of an African village. (…). Sissako uses decorative patterns and colors to form a dynamic social cartography.'
 Rosalind Galt, Pretty: Film and the Decorative Image (New York: Columbia University Press, 2011), p.27
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29/ Remembrance of Things to Come (Chris Marker 2002)

6/5/2011

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'face = map' (D & G: see map 20 for details)
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