Les Fins de Godard
|
|
|
|
In Alphaville (1965), Masculin Féminin (1966), Week End (1967) and Tout va bien (1972), master typographer and titles designer Jean-Luc Godard uses montage to manipulate the letters or words of the terminal credits.
With a few exceptions, typographic configurations of the word FIN end in 1967. Godard finds other ways to say that the film is finished: