clips:
- Moi, un noir (Rouch 1958): tracking & jumpcutting; sound/image; documenting the real
- Adieu Philippine (Rozier 1961): tracking & jumpcutting; sound/image; documenting the real
- Hiroshima mon amour (Resnais 1959): tracking and cutting; sound/image
- Le Petit Soldat (Godard 1960): (whip)panning & (cross)cutting; sound/image
- Chronique d'un été (Rouch 1961): direct sound; tracking; documentary
- Une femme est une femme (Godard 1961): quotation; documenting the real; sound/image
- Cléo de 5 à 7 (Varda 1961): documenting the real; tracking, cutting
- Last Year at Marienbad (Resnais 1961): tracking and cutting; sound/image
- Jules et Jim (Truffaut 1962): tracking; sound/image
- A bout de souffle (Godard 1960): quotation (of Forty Guns) + Forty Guns (Fuller 1957)