Publications

2018

Lack, R.F. (2018). Lumière, Méliès, Pathé & Gaumont: French filmmaking in the suburbs, 1896-1920. In Met, P., Schilling, D. (Eds.), Screening the Paris suburbs, from the silent era to the 1990s. Manchester: Manchester University Press.

2017

Lack, R.F. (2017). ‘Local Film Subjects’: Suburban Cinema, 1895-1910. In Hirsch, P., O'Rourke, C. (Eds.), London on film. London: Palgrave Macmillan.
Lack, R.F. (2017). Le signe de la carte. Lecture cartographique du Signe du Lion. In Moreau, H. (Ed.), Le Paradis français d'Eric Rohmer. (pp. 239-244). Paris: Pierre Guillaume de Roux.
Lack, R.F. (2017). Mapping Out 1: Thirteen Cartographic Footnotes. The Cine-Files,
Lack, R.F. (2017). The Cine-Tourist’s Map of New Wave Paris. In Penz, F., Koeck, R. (Eds.), Cinematic Urban Geographies. London: Palgrave Macmillan.
Lack, R.F. (2017). The New Wave Hotel. In Phillips, A., Vincendeau, G. (Eds.), Paris in the cinema. Beyond the flâneur. London: Palgrave Macmillan/BFI.

2013

Lack, R.F. (2013). Irma Vep poste une lettre. Le Tigre, (34), 36-40.
Lack, R. (2013). Topografia filmu Vojna sa skončila: Priestory, miesta, ne-miesta a iné priestory. (M. Michalovič Trans.). In Čeněk, D., Kaňuch, M., Michalovič, M. (Eds.), Alain Resnais – Kinematografia mozgu. (pp. 93-107). Bratislava: SFI (Slovak Film Institute).

2012

Lack, R. (2012). A photograph and a camera: two objects in Film Socialisme. Vertigo, (30),
Lack, R. (2012). Ulice noirivého Paríža: lekcie Beckera, Dassina a Melvilla. In Kaňuch, M., Michalovič, M. (Eds.), Poetika zločinu: Francúzsky film noir. (pp. 115-128). Bratislava Slovakia: Edícia Cinematik.

2011

Lack, R. (2011). ‘Echoes of the horn’: intertextual variations on Vigny. In Segal, N., Rye, G. (Eds.), When familiar meanings dissolve: essays from the commemorative conference for Malcolm Bowie. (pp. 324-342). Oxford: Peter Lang.
Lack, R. (2011). 'A bout de souffle : les intertextes d’un plan'. In Leutrat, J.L. (Ed.), Cinéma et littérature: le grand jeu 2. (pp. 467-478). Le Havre, France: De l'Incidence.
Lack, R. (2011). Sex power: Bernadette Lafont and the sexual revolution in French cinema circa 1968. In Jackson, J., Williams, J.S., Milne, A.-.L. (Eds.), May 68: rethinking France's last revolution. Basingstoke, UK: Palgrave Macmillan.
LACK, R. (2011). 'Tony Pipolo: Robert Bresson, a passion for film'. H-France, 11 1-3.
LACK, R. (2011). Una fotografía y una cámara: dos objetos en Film Socialisme. Lumière, (Suppl.1), 85-88.

2010

2009

Lack, R.F. (2009). The Swiss hotel film. In Moving pictures/stopping places. Lanham MD: Lexington Books.

2008

Lack, R.F. (2008). First encounters: French literature and the cinematograph. Film History: An International Journal, 20 (2), 133-143. doi:10.2979/FIL.2008.20.2.133
Lack, R.F. (2008). Vivre sa vie: an introduction and A to Z. Senses of Cinema, 48

2007

Lack, R. (2007). London Circa Sixty Six. In Cunningham, G., Barber, S. (Eds.), London Eyes: Reflections in Text and Image. (pp. 149-176). Oxford, UK: Berghahn Books.

2004

Lack, R.F. (2004). A bout de souffle: the film of the book. Literature Film Quarterly, 32 (3), 207-212.
Walker, L., Beckett, J., Church Gibson, P., Blaker, H. (2004). Art and Design: A Source Book. London: British Film Institute.
Lack, R.P.G. (2004). DVD commentary on Jean Cocteau's film Orphée.
Lack, R.F. (2004). Good work, little soldier: text and pretext. Journal of European Studies, 34 (1-2), 34-43. doi:10.1177/0047244104044240
Lack, R. (2004). Sa voix. In Temple, M., Williams, J., Witt, M. (Eds.), For ever Godard. (pp. 312-329). London: Black Dog Publishing.

2003

(2003). The point in time: precise chronology in early Godard. Studies in French Cinema, 3 (2), 101-109. doi:10.1386/sfci.3.2.101/0

2002

2001

Lack, R.F. (2001). Faut-il que j'écrive en vers: poésie et prosodie. In Lefrère, J.J., Pierssens, M. (Eds.), Les Poésies d'Isidore Ducasse. (pp. 97-102). Tusson: Du Lérot/AAPPFID.

1998

ffrench, R.P., Lack, R.F. (1998). 'Dissemination'. In ffrench, R.P., Lack, R.F. (Eds.), The Tel Quel Reader. (pp. 243-247). London: Routledge.
ffrench, R.P., Lack, R.F. (1998). 'Introduction'. In ffrench, R.P., Lack, R.F. (Eds.), The Tel Quel Reader. (pp. 1-8). London: Routledge.
Lack, R.F. (1998). Les replis tortueux de l\'intertextuel: Racine and Lautréamont, Prosody and Prose. French Forum, 23 (2), 167-178.
Lack, R.F. (1998). Poetics of the Pretext: Reading Lautréamont. Exeter: Exeter University Press.
Lack, R.F., ffrench, P. (Eds.), (1998). The Tel quel reader. London: Routledge.

1997

1996

Lack, R.F. (1996). Postface. In Tennoby, J.M. (Ed.), Disparition d'Alain: fleuriste, séropositif et arnaqueur. (pp. 115-118). Woignarue, France: Vague verte.
Lack, R.F. (1996). Screen as figure. Paragraph, 19 (1), 58-67.

1995

1994

LACK, R.-.F. (1994). Foreword. Paragraph, 17 (3), 191-193. doi:10.3366/para.1994.17.3.191
Lack, R.F. (1994). Foreword to 'Keywords'. Paragraph, 17 (3), 191-193.
Lack, R.F. (1994). Lautréamont and Aldington. In Blayac, A., Zilboorg, C. (Eds.), Richard Aldington: Essays in honour of the centenary of his birth. (pp. 75-84). Montpellier: Université Paul Valéry.

1992

1990

Lack, R.F. (1990). Intertextuality or influence: Kristeva, Bloom and the Poésies of Isidore Ducasse. In Worton, M., Still, J. (Eds.), Intertextuality: theories and practices. (pp. 130-142). Manchester University Press.
Lack, R.F. (1990). The Poésies of Isidore Ducasse, comte de Lautréamont: Some Precursors and Pretexts. French Studies Bulletin, 33 10-14.

1989