Jancsó's theatrical allegory is acted out in identifiable spaces in and around Milan. I'm assuming the map in the background of this scene, the identification of a criminal, is of Milan (if anyone can confirm, email here please).
- the Cine-Tourist
- index of films
- blogs
- preamble
- how to map a film
- the first maps
- Paris
- Capellani in Paris
- Fantômas Over Paris: episode 1
- Fantômas Over Paris: episode 2
- Fantômas Over Paris: episode 3
- a staircase in Belleville
- Inside-Outside: space and light in Judex
- Paris Noir: Becker, Dassin, Melville
- Du rififi chez les hommes - reading topotropically>
- the Grisbi connection: Chabrol and Becker
- Les 400 coups: Paris locations
- Une femme est une femme: the places documented
- Godard and Melville: the view from the rue Jenner>
- Le Samourai: places and maps
- Un flic: art and artifice
- The Stairs: Paris
- Het Parijs van Le Ballon rouge
- London
- Geneva
- studios & the local
- my local cinemas
- my local filmmaker
- cine-tourists
- investigations
- Bébé victime d'une erreur...
- Où est Max? (Where's Max?)>
- L'Enfant de Paris (narrative of an identification)
- the Hotel Bristol enigma
- A bout de souffle (narrative of an identification)
- the place of cinema: cinema as location in Vivre sa vie
- Céline et Julie: what's the address of that house?
- Le Pont du Nord (narrative of an identification)
- Holy Motors
- building sites
- bibliography
- links
- about this site
- other things
